Henrik Håkansson (born in Helsingborg,1968) lives and works in Berlin, Germany and Falkenberg; Sweden, and has been exhibiting internationally since 1993. Notable solo exhibitions took place at The Modern Institute, Glasgow, UK The Circle of a square (The Butterfly effect) 2022, Paintings of Trees For Birds, Galleria Franco Noero, Turin, Italy (2021), Kode Art Museum (Bergen, 2019), Kunstverein Freiburg (2016), A Forest Divided; Lunds Konsthall (2012),THE END; The Modern Institue (2011),  A Tree With Roots Galleria Franco Noero, Torino, Italy (2011)Museo Tamayo Arte Contemporáneo (Mexico City 2008), Palais de Tokyo,Paris, 2006), The Birdconcert;Frieze Art Fair Projects London, (2005) and Secession, Wien, Austria (2002)

In addition to group shows such as: Field works” at Centro Cultural La Moneda, Santiago, Chile, 2022,  A Tree Story’, Monash University Museum of Art – MUMA, Melbourne, Australia (2021) Göteborgs Konsthall (2019), Cloister of Bramante (Rome, 2018), Kunstpalais Erlangen (2015), Isabelle Stewart Gardner Museum (Boston, 2012),  ‘Universal Code’, The Power Plant, Toronto  Canada (2009),, ‘Mirror’s Edge’,BildMuseet, Sweden/ Vancouver Art Gallery, Canada/ Museo d’Arte Contemporanea Castello di Rivoli, Torino, Italy/ Tramway, Glasgow, UK/  and Kunsthalle Wien (1998), Håkansson’s works have frequently been shown at festivals and biennales such as Biennale Gherdëina 7, IHME Festival Helsinki, Taipei Biennial, Emscherkunst, Sydney Biennale, documenta 13, Yokohama Triennale, Biennale d’Art Contemporain de Lyon, Berlin Biennale, Skulptur Biennale Münster and Biennale di Venezia where he also represented Sweden in 1997. His works are part of many private and public collections such as those of Klasma - Museum of Contemporary Art, FRAC - Languedoc-Roussion, Musée Départemental d’Art Contemporain de Rocheechouart, GAM, Moma, Moderna Museet and Fondazione Morra Greco.