Photo: Shain Niniwem Selapem Jackson
Eagle Woman - photo by City of Vancouver
Eagle Woman - photo by Shain Niniwem Selapem Jackson
Olympic Village Station
W 2nd & Cambie Street
The artwork has been removed from this location.
Civic
2023
Two-dimensional artwork
No longer in place
Platforms: Nine Places for Seeing
Description of work

PlatformsNine Places for Seeing is a series of temporary public art projects that presented from June 2023 until the end of 2025.

PlatformsNine Places for Seeing commissioned 21 local xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), səlilwətaɬ (Tsleil-Waututh), and urban Indigenous artists. 

Selected artworks were displayed on the following platforms: 

  • Billboards along 6th Avenue between Arbutus and Fir 
  • Light box at šxʷƛ̓ exən Xwtl’a7shn Plaza  
  • Banners at Vancouver Public Library, Central Branch  
  • Glass wall at City Centre Canada Line Station  
  • Transit shelter posters throughout the city 
  • VanLive! video screen, Robson St and Granville St 
  • Glass wall at Marine Drive Canada Line Station 
  • Windows at the Queen Elizabeth Theatre 
  • Windows at the Vancouver Playhouse 
  • Glass Wall at Olympic Village Canada Line Station
  • Glass Wall at King Edward Canada Line Station
Artist statement

Eagle Woman is exhibited on the Olympic Village Canada Line Station from September 2023 - June 2024.

Shain Niniwem Selapem Jackson’s Eagle Woman is a digital drawing of an eagle matriarch dancing beneath a full copper moon. The work was inspired by the many women in the artist’s life who have lifted him up and provided love, guidance, and support. The artist intends for viewers to feel these women’s ability to dance through adversity and pain with ferocious dignity and courage. In the artist’s own words:

“In each era rises a matriarch. She lives her entire life to serve but she’s no servant. She’s a weaver. Attendant to a loom made of passed down parts. Its components fashioned generation after generation by glorious women who carry an exquisite vision, one of love and unity. The strands of her cloth are souls. Some have heartbeats, others made up only of memories spliced together with artful abandon. Some strands are copper and gold. Others are beautiful with ends frayed, tattered, or torn. She’ll mend them with the fibres of her own frock despite being threadbare itself. Such is the sacrifice her art insists.”

 

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