The project, for me, was about space for public use where art would help shape, animate and give meaning to that space.
One of the underlying references is the many streams that once flowed into False Creek. The extension of the pavement above the water’s edge is meant to suggest this disappearance underground, to stir memory and history, while at the same time reinforcing the sense of the above ground space as a visually continuous promenade and plaza.
The pond’s dominant feature, a circular granite sculpture sited in the center of the pond, is elevated above the grade of the paving so that a viewer (pedestrian or resident) can fully comprehend its form: a form that might suggest a flower, a wheel, a saw blade....This sculpture also has a spatial function to gather and hold energy as well as operating as a source of water for the pond. The three granite rings embedded in the concrete plaza reiterate the central well of the sculpture from which the water flows and activate the plaza plane. This plane is further activated by the stainless steel rings that echo both the shape of the pond ends as well as the wave movement of the water.
As the pedestrian moves into the space the sound of the falling water becomes more dominant till the extraneous sounds of the street are entirely absorbed offering respite and perhaps an opportunity for further engagement and reflection.