Groening’s quirky still lifes often include unlikely but not impossible juxtapositions. With colour, comfort, and curiousity leading, objects were chosen for their familiarity
or for their particular presence. Each of the thirty-five, 5 x 8- foot glass panels is a composition created in colour stages. The inside viewer (hospital community or patients and staff?) is/are able to examine objects in detail over a 35 foot, colour-changing walkway mural, while the public art viewer sees an expanded version as colour spectrums spanning up five floors.

Culled from her collection of jewel-toned glass objects and augmented by flea market finds and borrowed treasures, this giant-sized still life creates a spectrum of colour that is projected into the building in the afternoon and glows at night in a building-sized lightbox. Like large photographic slides, the transparent panels are mounted to a series of glass walkways that make up one wall of the internal atrium. The murals transform the hallways with the changing light, allowing inside viewers to experience a “colour walk” as the sun projects the art into the building and onto the light colored floor.