The project takes off from Yves Klein’s photograph, Leap into the Void, representing an acrobatic engagement with cityscape and calculated risk akin to the efforts of ski jumpers to defy gravity. It is the transitional space between taking off and landing that is expressed in relation to the colour blue. Women ski jumpers presently occupy an additional liminal space as they both wait and prepare for a chance to compete in the Games. The Downtown Eastside is currently faced with rapid transition. Blue attempts to track these historical, geographical and cultural changes, through a cinematic presentation of embodied movement (of cityscape and of physical flight).